Friday, April 14, 2023
12:45 – 1:00 PM | Opening Welcome |
1:00 – 2:15 PM | Panel 1 – National Identity & Self-Fashioning
Who is Mihri?: Finding Identity through Artistic Expression Under Islam and Transnational Feminism Recoding the Female Body: The Awakening and Artistic Expression of Chinese Female Artists in the Early 20th Century Chicana Sartoriality & Judith Baca |
2:15 – 2:30 PM | Break |
2:30 – 3:45 PM | Representation and Visual Culture: A Faculty Roundtable
Moderator: Dr. Tesla Cariani |
4:00 PM | Opening Reception |
Saturday, April 15, 2023
8:45 – 9:30 AM | Coffee and Breakfast |
9:30 AM | Welcome for Day 2 |
9:45 – 11:00 AM | Panel 2 – Women’s Labor
Bearing Weight: Caryatid Mirrors and Women’s Labor in Ancient Greek Art Ties That Bind: Hairwork, Family, and Femininity in Nineteenth-Century America The Needlework of Cassatt’s Women |
11:00 – 11:15 AM | Break |
11:15 AM – 12:30 PM | Panel 3 – Queer & Feminist Resistance
“My Fields Were Planted”: Liminal Topography in Drawings by Nina Otero-Warren Conditions of Visibility: Revisiting the Joint Archive of Kenneth Kemble and Sylvia Torras Archival Camp: A Queer Aesthetic Mode Visualizing the Future Now: Kishimoto Sayako’s Art Activism |
12:30 PM – 1:45 PM | Lunch Break |
2:00 – 3:15 PM | Panel 4 – Institutional Critique & Barriers
Anna Banti, Author and Art Historian: Historical Fiction as a Method for Expanding the Canon The Imposition of a Narrative Line: The Literary, Femme Artist in and around Los Angeles, 1990s to Present Token Female Contemporary Chinese Artist in Art History Writing: Self-Censorship, Institutional Neglect and Cultural Omissions Electronic Music, Women Composers, Gender Difference, and Inclusiveness |
3:15 – 3:45 PM | Break |
4:00 – 5:30 PM | Keynote Address
“Everywhere. Literally.” By Dr. Julia Bryan-Wilson |
5:30 PM | Closing Reception |